WARRANTY
This unit has been designed and manufactured using quality components.
Therefore, it is warranted to be free from defects in materials (limited as speci-
fied below), and workmanship for a period of twelve (12) months from the origi-
nal purchase date. During this period, all service and parts necessary to repair a
defect will be free of charge. This limited warranty applies to mechanical parts
which are subject to wear and tear as specified:
SA-8
DJ FOCUS SIGNATURE MIXER
• Faders (except P&G and Focus faders), specified durability:
15,000 cycles;
• Rotary potentiometers, specified durability: 10,000 cycles;
• Switches, specified durability: 10,000 cycles.
Consequently, the parts listed above are warranted to be free from defects in
materials and workmanship for a period of thirty days (30) days from the original
purchase date.
The included Penny & Giles faders carry a twelve (12) month warranty.
The Focus Faders carries a lifetime warranty.
For the warranty to be valid, please complete the warranty registration card
Mail completed warranty cards to:
Stanton Magnetics, Inc, 3000 SW 42st • Hollywood, FL 33312
REPLACEMENT PARTS
To replace the cross or channel faders, follow steps 1 and 2 of the
cleaning instructions. The following replacement parts are available
from Stanton or your local Stanton dealer.
CF-PG110
CF-F2
OS2
Penny & Giles crossfader/ line fader
Focus Fader V2
Optical Scratch Switch (phono/line selector)
PROTEKT™ panel
US Power Supply (110v)
OWNER’S MANUAL
PPSA8
PS-RM19US
PS-RM19EU
PS-RM19UK
European Power Supply (220v)
UK only Power Supply (240v)
STANTON MAGNETICS, INC
[email protected] • (954) 689-8833
w w w . s t a n t o n m a g n e t i c s . c o m
© 2002, Stanton Magnetics, LLC
FADER CLEANING AND REPLACEMENT
SA-12 FUNCTIONS & FEATURES
6.5) Insert dust cover.
6.6) Insert fader track back into fader body with
wires coming out open end of fader body.
6.7) Secure the remaining end block ensuring that
the track wires (I) are not pinched between the
end block and fader casing.
The SA-8 DJ Focus Signature Mixer
G
"From the mind of focus" comes the SA-8, the ultimate performance mixer. Never
before has so much scrutiny been put into the layout of a scratch mixer, each fea-
ture was carefully arranged and placed according to a DJs natural hand move-
ment (notice where the gain is). The SA-8 offers features for every type of DJ,
either strictly scratch, live performance, production, or mix. This "studio-style"
scratch mixer gives you the technology of a professional mixing console com-
pacted and ergonomically arranged in a format that is preferred by top DJs.
Features include:
7. Once assembled, move the slider from end to end to ensure
operation is smooth.
I
8. Attach fader to fader plate. (NOTE: As noted earlier if you do not
want to change positioning of fader, keep the 2 fader plate screws
loose and shift the fader until it is aligned with the marks you creat-
ed in step 1, then tighten fader plate screws.)
• Individual Direct outputs allow you record your mixtapes and scratches down to a multi-
track recorder, and mix and EQ each channel separately before mixing them down to a
tape or CD*
• An all new concept in cueing: Post Fader Cue allows you to listen to your scratches in
the headphone while using the crossfader as normal*
INSTALLING THE FOCUS FADER:
1. Once the original fader has been removed, plug
the connector into the Focus Fader fader.
• Autocue eliminates the need for touching the cue pan (switching from Ch.1 to Ch. 2)*
• Adjustable Rumble Filter allows the DJ to eliminate low end frequencies*
• 3-way adjustable curve control on line faders
2. There is a switch just above the crossfader. Make
sure it is set to CFF2. When reinstalling the P&G
fader, make sure to switch it back to VR (P&G).
• OSII Optical Switch (for "noise-free" transforms)*
• Mono/Stereo Switch per channel
3. Place fader back in mixer and replace 2 outer
screws to secure fader.
• New screwless faceplate
• Includes custom designed P&G (Penny & Giles) crossfader Stanton Focus Fader V2
crossfader, and custom P&G line faders.
• All new "one of-a-kind" knobs & faders (a molded design to fit the DJ fingers)*
• An ergonomic layout so there is no bumping or cluttering of knobs during use
• Phono / Line / FX Toggle Switch
• Multiple Outputs: 2-RCA (Unbalanced), 2-1/4" Direct Out ( Balanced), 1-1/4" Master
(Balanced), Plus FX Send (1/4") ·Multiple Inputs: 2-RCA(Phono), 2-RCA(Line), 1-RCA
(Aux), Plus FX Return (1/4")
• Program Reverse
• 2-Dual headphone outputs (2-1/4" and 2-1/8" mini jack) w/ Headphone mute
• Booth Output
P&G Vs Focus Fader
The Focus Fader is an optical digital crossfader. The advantages are that there
are no contacts inside the fader, which means that the audio will never degrade
due to fader wear. This also means that the fader will be much smoother. Some
find it too smooth. We have included the P&G fader, which is a high quality
mechanical fader for those who prefer more resistance.
*Original concepts by DJ Focus
FADER CLEANING AND REPLACEMENT
DESCRIPTION OF FUNCTIONS
CLEANING A P&G FADER:
1. Remove 2 mounting screws from fader plate.
(NOTE: The P&G fader is designed with floating
mounting threads for precise mechanical centralizing of
the fader. If you desire to keep your fader`s current
mounting position we suggest that you make 2 marks
on both ends of the fader on the fader plate to indicate the
P&G fader position.) See Figure 1.
A
2. Once fader is removed from unit, remove the two screws
(A) from the end of the fader body where the wires exit the
fader casing. Pull away the end block. Withdraw the dust
cover (B). Taking great care, remove the slider assembly (C),
ensuring that the wiper contacts (D) are not damaged as
this will affect the operation of the fader. Clean the slider
assembly by gently wiping the wiper contacts and slider
bearings (E) using a tissue or cotton bud. If slider bear-
ing are excessively worn, as indicated by excessive slid-
er rocking then contact Stanton for replacement.
B
F
(1) Hi, Mid, Low – Adjusts Hi, Mid, and and POST refer to the crossfader (21).
Low frequencies (+ 10/-10 dB) for the In “PRE” position, the signal of control
G
AUX/FX Return Input.
selected by the Cue-pan (9) fader will
be monitored (pre-line fader, pre-cross-
(2) Aux/FX Gain – Controls gain of fader) as a stereo signal in the head-
AUX/FX inputs (35, 36). While AUX/FX phones. The “POST” position, is some-
switch (37) is placed in AUX, the gain what similar to the “PRE” position,
control can be used to adjust the level except the signal is post crossfader
of the incoming AUX input (36). While (21) (pre-line fader, post-crossfader),
the AUX/FX switch (37) is placed in FX so if the cue pan fader is centered, the
the gain control becomes a wet/dry signal received in the headphone
3. Remove the single upper screw on the opposite end
block to remove the guide rail. Clean the guide rail (F) with a
tissue or cloth, removing all traces of dirt and contamination.
C
4. Remove the fader track (G) by slowly withdrawing from the
unit. Place fader track on desk or working surface with black
contacts facing upwards. If necessary, the track can be
washed in warm water, wiped gently then dried thoroughly
using a dry cloth. Use a lint free cloth or swab to wipe the
tracks and check for marks along the track. (Note: Lint free cloth should be
used to avoid dust and fibers being deposited on the track). If the track
appears excessively worn, or if cleaning does not improve operation,
replacement may be necessary.
E
control for the FX return (35).
depends on the position of the cross-
fader (21). In “MASTER” position, the
(3) Aux/FX Balance – Controls the signal monitored will be pre-master vol-
left/right output balance of the AUX/FX ume (post-faders), meaning the signal
inputs (35, 36). will still be present in the headphone
even if the master volume is turned
(4) PGM1 & 2 Gain – Controls the gain down.
level of each input channel (38, 39).
D
(8) Auto Cue – Auto cue is an automat-
(5) PGM1 & 2 Balance – Controls the ic cueing system that is controlled by
left/right output balance of each chan- the position of the crossfader (21). If
nel. the crossfader were placed on PGM1,
PGM2 would be heard through the
(6) FX Pre/Post – Assigns FX SEND headphones and vice versa. The auto-
signal to either pre-fader or post-fader. cue function disables all other Cue set-
In PRE position the external effects tings and functions.
5. Examine the center channel of the fader body and if dirty, clean using
cotton buds.
6. Re-assemble and lubricate the fader as follows:
6.1) Secure the end block and guide rail onto the fader body.
6.2) Insert track into the fader body.
6.3) Insert slider assembly onto guide rail and into the fader body. Move
slider from end to end to disperse the oil evenly. Carefully wipe away any
excess oil using a tissue or cloth.
processor is sent a pre line fader (19)
and crossfader (21) signal via the FX (9) Cue pan: Fades the headphone
SEND output. In POST position the FX output between channels 1 and 2,
device is sent a post line fader & cross- effectively allowing the user to preview
6.4) Lubricate the guide rail by placing one drop of silicon liquid oil onto the
guide rail (F).
fader signal via the FX SEND output.
(7) Cue Select – On this feature, PRE
a mix while in “PRE” cue mode.
FADER CLEANING AND REPLACEMENT
DESCRIPTION OF FUNCTIONS
After constant scratch use the SA-8 faders may need to be cleaned and lubri-
cated from time to time. This will ensure long life and keep a smooth feeling
throughout the fader's lifetime. Follow the instructions below to lubricate and
clean your faders:
REMOVING A FADER
1. Make sure mixer is powered off and power supply
is disconnected from back of mixer.
2. To remove the lower faceplate, take off all the
fader knobs and then remove the 4 screws located
on the side of the mixer (2 on each side). Lift up on
the faceplate and it will slide off.
3. Remove the fader to be cleaned or replaced by
unscrewing the 2 outer screws on the fader plate
(removing the 2 inner screws will detach the fader
from the fader plate).
(10) Cue Level – Controls the head- sor.
phone output (23) level.
(17) Aux / FX Cue – This button allows
(11) Rumble Filter – Rumble is a term you to cue your FX RETURN or AUX
used to describe mechanical vibrations input depending on the position of the
traveling through the turntable into the AUX/FX Selector switch (37).
stylus and being amplified as low fre-
quencies. The rumble filter will cut (18) OSII – Optical Scratch switches
these frequencies off and prevent feed- for each channel. This is simply an
back from the turntable reaching the on/off switch used to perform various
output of the mixer. The rumble filter is scratch tricks.
4. Disconnect the fader from mixer by removing the
connector on the bottom of the fader.
REPLACING A FADER:
1. Once the fader has been removed, simply plug the connector into the new
fader.
adjustable from 0 Hz (OFF) to 20 Hz
(The human ear can only hear above (19) Line Faders – Controls the chan-
2. Place fader back in mixer and replace 2 outer screws to secure fader.
16 Hz).
nel output level. The curve of the line
fader is determined by curve control
(12) Booth – Controls the level of the switch (25) located on the front panel.
BOOTH (42) output. The line fader may also be reversed by
using the line fader reverse switch (24)
(13) Master – Controls the overall vol- on the front panel.
ume level of the mixer.
CLEANING A FOCUS FADER:
1. Once fader is removed from unit, you will need to separate the fader casing
from the fader itself to have access to inner suspension. The
fader casing is the metal piece that covers 3 of the sides of
the fader. To remove the casing pull apart the two flaps on the
side of the fader and remove casing.
(20) Headphone Mute Switch – Mutes
(14) FX1 / FX2 – These 2 buttons headphone output (23). Mute is on
assign the FX Loop to its respective when red LED is illuminated next to
channel. the FX loop can be assigned switch.
2. Once casing has been removed wipe down the rails with a
cotton swab to remove excess dirt.
to both channels at the same time.
(21) Crossfader – Fades the overall
(15) Hi, Mid, Low – Adjusts Hi, Mid, and mixer output between channel 1 and
Low frequencies (+ 9/-20 dB) for PGM channel 2. The curve of the crossfader
3. Lubricant can be applied to the rails. Thinner liquid-like
lubricant is suggested but if you desire a slower or more resis-
tant focus fader you may use grease like lubricant.
1 & 2.
is determined by the CF Curve knob
(27) located on the front panel. The
(16) Input Selector – Selects the input crossfader may also be reversed by
source (FX / PHONO / LINE) for each using the CF Reverse switch (28) on
channel. When FX is selected the FX the front panel.
RETURN is routed to that channel and
the line fader for that particular channel (22) Input Level Meter – Displays each
becomes the level control for the audio channels input (in dB) level with peak
coming back from the effects proces- hold. When indicator shows a red bar
DESCRIPTION OF FUNCTIONS
on a channel the mixer is close to clip- of any effects processing device. The
ping (distorting) the audio signal and signal that is selected by the FX On/Off
the gains should be turned down.
switches (14) will be sent though the
FX send.
(23) Phones – Standard 1/4” & 1/8”
headphone output connectors.
(35) FX Return – Connects to the out-
put of the same effects processor to
(24) Reverse – Reverses the direction complete the effects loop. In order to
of each respective line fader.
use the FX Loop the AUX / FX (37)
must be set to FX.
(25) Curve – Three-position switch
selects between a sharp, mid and long (36) AUX – Extra input for connecting a
fade for the corresponding line fader. line level signal. A CD player or sam-
pler may be connected to this input or
(26) Mono / Stereo – Individual mono / the input can be used as a session
stereo switches for each input. input for team routines. In order to use
this input the AUX/FX switch (37) must
(27) CF Curve – Controls the curve of be set to AUX. This input is controlled
the crossfader from a sharp cut for by the first set of EQ (1), Gain (2), and
scratching to a long gradual fade for Balance (3) controls. When the
mixing.
AUX/FX switch is placed in FX this
input is disabled.
(28) CF Reverse – Reverses the direc-
tion of the crossfader.
(37) AUX/FX Select switch – Selects
which signal is routed to the first set of
(29) Power switch – Turns the mixer on EQ (1), Gain (2), and Balance (3)
and off. knobs on the top portion of the mixer.
When AUX is selected the AUX input
(30) AC IN – Input connection for the (36) is controlled by these controls and
included power supply. is sent to the master output. When FX
is selected the FX RETURN (35) is
(31) Balanced Master output: 1/4” TRS routed to the first set of controls.
balanced connectors (typically used to
connect to a P.A. mixer or an amplifier (38) Phono Inputs – Dual RCA phono
for live performances or a recording level inputs for connecting turntables.
(42) Booth Output – The booth output dj requires a separate control of the
is a separate master output. The vol- booth speakers. However the booth
ume of this output is controlled by the output may be used for recording or for
BOOTH knob (12) located on the top of daisy chaining mixers or as simply a
the mixer. The booth output is typically second master output.
used in a club environment where the
console for recording).
(Note: Do not plug line level devices
into this input).
(32) Direct Outputs – Individual outputs
for each channel allows you to record (39) Line Inputs – Dual RCA inputs for
your mixes to a multi-track recorder. connecting line level devices such as
These 2 outputs may also be used as cd players, samplers, etc...
master outputs in a live performance
situation to allow the sound engineer to (40) PGM Reverse – Reverses the sig-
have independent control of each nal sent to line faders 1 and 2. When
turntables signal.
reversed, PGM 2 line fader will control
PGM 1’s audio signal, and vice versa.
(33) Ground connector: Connects to (41) Unbalanced Master RCA output –
turntable ground post to eliminate elec- RCA connectors are typically used to
trical hum. Ground cables are supplied connect to a home stereo, or to anoth-
with turntables. (Note: Some turntables er mixer with RCA inputs for practicing
do not need to be grounded see own - or team routines. Several SA-8’s can
ers manual with turntable)
be daisy chained together by plugging
this output into the AUX input of the
(34) FX Send – Connects to the input next SA-8 in the chain.
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